<h2>LR VANDY: TWIST<br>
18 APRIL – 25 MAY 2024</h2>
<h2>LR VANDY: TWIST<br>
18 APRIL – 25 MAY 2024</h2>
<h2>LR VANDY: TWIST<br>
18 APRIL – 25 MAY 2024</h2>
<h2>LR VANDY: TWIST<br>
18 APRIL – 25 MAY 2024</h2>
<h2>Aubrey Williams: Cosmological Abstractions, 1973–85<br>23 May 2023 – 2 June 2024 at
Tate Britain, London</h2>Photo: © Tate (Madeleine Buddo)<h2>EDDY KAMUANGA ILLUNGA<br>Available from our Book Store, £45.95 + P&P</h2>248 pages, 200 full colour plates throughout. Published by Rizzoli.<h2>DREAM NO SMALL DREAM: The Story of October Gallery<br>Available from our Book Store, £40 + P&P</h2>304 pages, full colour plates throughout. Edited by Gerard Houghton.
 

CURRENT EXHIBITION

18 April – 25 May 2024
LR Vandy, Twist, 2024.
Giclée print on Hahnemühle pearl paper 64 x 42.5 cm
Edition of 8 plus 1 artist's proof
LR Vandy, Dancing in Time: Vogue, 2024.
Sisal rope, wood and metal
40 x 28.5 x 23.5 cm
October Gallery is delighted to present Twist, the second solo exhibition by LR Vandy, which features a new series of sculptures created from a variety of ropes and other materials; one large-scale rope work, several smaller rope sculptures, a collection of photographic prints and further new works from the artist’s signature Hull series. The exhibition follows last year’s display of Vandy’s large-scale installation, Dancing in Time: The Ties That Bind Us, a five-meter-high rope sculpture commissioned for the International Slavery Museum’s Martin Luther King celebrations at Liverpool’s Canning Dock waterfront.

In 2022, Vandy relocated her studio to a site adjacent to the Ropery at Chatham Historic Dock Yard – an establishment which has preserved traditional rope-making, still using original machinery from the 19th century, of which the oldest dates back to 1811. This led the artist to explore the matter and properties of rope, as she began to delve into the material’s historical importance and symbolic implications.

This series of rope sculptures was inspired by Barbara Ehrenreich’s book, ‘Dancing in the streets’, which locates the phenomenon of ‘collective joy’ as central to the origins of dance. Other contributing sources can be found in hunting rituals and the African spirit dances that transformed into carnival masquerades in the African diaspora. The vital, energetic forms are composed by shaping and hand-sewing sections of rope together, before tying off and binding the loose ends with twine or copper wire. Other rope sculptures subtly integrate incongruous found objects: cogs, pipes, washers skipping-rope handles, etc. Vandy’s vivacious curvilinear sculptures challenge the typical representation of the female form –historically subjected to the male gaze – to provide a more positive depiction that associates female abstraction with empowerment.

Alongside these sculptures, a new selection of Vandy’s striking Hull series will be shown, exploring the trade significance of indigo. The artist draws upon traditional talismans, amulets and charms to transform these model boats into ‘masks’ adorned and animated with various materials including rope, fishing floats and feathers. By continuously experimenting with different materials, LR Vandy’s remarkable assemblages, on close examination, animate the field of contemporary sculpture with haunting echoes laden with insight into issues of continuing relevance today.
 

FORTHCOMING EXHIBITION

EMERGENT ENERGIES

30 May – 29 June 2024
Matheus Marques Abu, O oceano oferece um reflexo mais íntimo de quem somos do que qualquer espelho (The ocean offers a more intimate reflection of who we are than any mirror), 2024.
Acrylic on canvas. 150 x 150 cm.
Theresa Weber, Stream Of Consciousness, 2024.
Silicone, foam clay, acrylic paste, varnish, beads, acrylic nails, mosaic stones on wood board, 200 x 160 cm.

Emergent Energies presents a selection of innovative artwork by: Theresa Weber, Matheus Marques Abu, Dafe Oboro, Gosette Lubondo, Eyasu Telayneh and Zana Masombuka. Comprising photographic works, paintings and sculpture, the exhibition highlights the dynamic range and vitality that each of these young artists brings to their work.

Theresa Weber's multi-media installations are an absorbing blend of cultural, historical and mythological references that reflect her conceptual approach to the ever-changing nexus of identity. Influenced by the writings of the Caribbean postcolonial theorist and poet, Édouard Glissant, she examines the complexities of cultural reinvention using motifs borrowed from nature. Her practice blurs the boundary between sculpture and performance. Weber’s first site-specific, public commission, Cycles of Unmasking, was displayed at Somerset House, in 2023, and her first museum solo show will open in Germany, at the Kunstmuseum Bochum, this June.

The paintings of Matheus Marques Abu are influenced by his ancestry, spirituality and the daily lives of those of the African diaspora in Brazil. Focusing on the Atlantic Ocean as a site of memory, Marques Abu explores the interwoven colonial and Afro-Atlantic histories, by placing the sea, nature and the Ghanaian Adinkra ideograms as central figures within his work. Marques Abu’s expert manipulation of multiple narratives draws the viewer into a nostalgic realm where powerful dialogues between past, present and future become possible.   

Working mainly in photography and film allows artist Dafe Oboro to explore a multifaceted approach to storytelling. Drawing upon fashion motifs and popular culture, Oboro uses sound and imagery to contemplate questions of masculinity, movement across time and space and the socio-political state of contemporary Nigeria. Oboro aims to destabilize the often-reductive representation of Africa in mainstream media to provide a more nuanced engagement with cultural realities. In 2022-23, Oboro was the winner of the Access ART X Prize by Art X Lagos, following which the artist completed a three-month residency at Gasworks, London.

Emergent Energies includes photographic works by Gosette Lubondo, a rising star of contemporary African photography. Lubondo’s contemplative photographs explore memory, time and heritage. In herseries Imaginary Trip and Land of Milk, Land of Honey, Lubondo shoots in old, abandoned buildings. In so doing, she reveals how these time-haunted places still retain vivid auras of the past. Her composite creations shed light on the inner ‘soul’ of her selected sites, emphasising the disorienting discontinuities brought about by rapid changes in Congolese society.

Eysau Telayneh creates captivating abstract paintings filled with his reflections on contemporary life in the vibrant cultural hub of Addis Ababa, Ethiopia. By keenly observing his local environment, Telayneh uncovers behavioural patterns and rhythms which he transposes onto his canvases, remarking that this source of inspiration means he never stops absorbing visual stimuli. His passion for mathematics and physics adds further impetus to the colours and textures appearing in these paintings, which balance gestural strokes with geometric lines and forms to create dynamic compositions.

Lastly, photographic works by Zana Masombuka - a.k.a. ‘Ndebele Superhero’ - a South African visual artist will be shown. In her series entitled, 2009: Namba S’khambe, she explores the politics of a ‘seat at the table’ and how capitalism and inequity inform the dynamics of engagement for all institutional paradigms. The visual tones in the photographs are inspired by the YInMn blue colour, serendipitously discovered in 2009, by which Masombuka comments on power associations using the colour.

 

 

NEWS, EVENTS & RECOMMENDATIONS


ROMUALD HAZOUMÈ at the 60th Venice Biennale
20th April – 24th November, 2024
Romuald Hazoumè has been selected as one of the four major artists to represent The Republic of Benin for the 60th edition of La Biennale di Venezia.

Entitled Everything Precious Is Fragile, this exhibition will explore the rich history of Benin, touching on themes such as the slave trade, the Amazon motif, spirituality and the Vodun religion. These themes are tied together by Benin's exploration of African feminism and pay tribute to women's versatility whilst envisioning a world where differences are seen as a source of richness and strength.

Acclaimed worldwide for his masks made from used plastic petrol cans, Romuald Hazoumè is an artist whose work is firmly rooted in Benin's social, political and cultural context and the globalized world.
Photo: © Jonathan Greet, 20016.
Gallery Talk:
LR Vandy in conversation with Elisabeth Lalouschek
Saturday, 27 April, 2024
3.00 – 4.30pm. Entry Free
The conversation explores Vandy’s working processes and materials, the creation of the artist’s new rope sculptures and examines her daily approach to her work in the studio. Vandy’s recent work was highly influenced by her relocation to a site adjacent to the Ropery at Chatham Historic Dock Yard – an establishment which has preserved traditional rope-making since the 19th century. The exchange will investigate the artist’s use of this versatile material as well as re-visit her series of Hull works.

The talk accompanies LR Vandy's new solo exhibtion, Twist.

The event takes place in the gallery’s ground floor and has disabled access.

The talk will take place in the gallery and disabled access is available.
LR Vandy in front of Dancing in Time: The Ties That Bind Us, Installation View. National Museums Liverpool.
Photo © Pete Carr.
OCTOBER GALLERY AT 1-54 NEW YORK
Booth 30
Starrett-Lehigh Building at 255 11th Avenue, New York, 10001
1st – 4th May, 2024
VIP Days 1st – 2nd May, 2024

October Gallery’s presentation at the tenth edition of 1-54 New York, 2024, includes a selection of dynamic works by Zana Masombuka, LR Vandy, Benji Reid, Eddy Kamuanga Ilunga and Alexis Peskine. The gallery’s booth brings together vibrant photography, painting and new sculptural works.

Highlights include Zana Masombuka's first presentation in New York of her series of signature photographic works, Nges’rhodlweni: A Portal for Black Joy. Nges’rhodlweni refers to a space within the Ndebele household where people of all ages gather to share in the communion of art, creating a site of expression for the entire community.

A recent painting by acclaimed Congolese artist Eddy Kamuanga Ilunga from his ongoing Ghost of the Present series is presented. This captivating work conveys Kamuanga’s skilful ability to integrate a personal set of African iconographic symbols with wide ranging contemporary themes that resonate and engage.

Alexis Peskine presents new large-scale, mixed-media ‘portraits’ of the African diaspora, which are rendered by hammering nails of different gauges, with pinpoint accuracy, into wood. His wooden ‘canvas’ takes on an oval shape inspired by the portraits of the upper class and bourgeoisie of the 18th century Georgian era. Peskine reclaims this oval form, staining the wood with natural pigments and flower petals, such as hibiscus, curcuma and indigo. In these specific works, he deploys Japanese oxidised leaf which lends the final piece a lustrous and captivating aesthetic.

Striking photographic works by Benji Reid are exhibited for the first time in New York. Reid considers himself a Choreo-Photolist; a term he coined to encapsulate his unique
practice where theatricality, choreography and photography combine in the image. His breath-taking photography composed primarily of self-portraits, created by incredible poses with a medley of props, invites the viewer into a different dimension.

Sculpture is represented by LR Vandy’s new series of striking Hull works, in which she incorporates rope and the colour indigo, to comment on the sinister trade histories associated with both materials. Vandy transforms model boat hulls into ‘masks’, animating them with various materials, including fishing floats, porcupine quills and acupuncture needles. The artist’s solo exhibition Twist, (18th April – 25th May) at October Gallery, London, highlights her new series of visceral rope sculptures, which reference the historic importance of rope and its maritime and slave-trade connections.

Zana Masombuka, Nges’rhodlweni: Is’memo 5, 2023.
Giclée print on Hahnemühle FineArt Baryta 325 gsm paper, 120 x 80 cm. Edition of 5 plus 1 artist's proof.
El Anatsui at MAK in Vienna
Continues until 20th May, 2024
El Anatsui’s work Terra Firma is now on view in a new exhibition at MAK, Vienna.
HARD/SOFT: Textiles and Ceramics in Contemporary Art, showcases work from around 40 international artists, many whose work is being exhibited in Vienna for the first time. The exhibition explores the interplay between textiles and ceramics and examines the materials’ connections with economic and political systems. Furthermore, the exhibited works investigate themes relating to cultural appropriation and post-colonialism.
El Anatsui Terra Firma, 2020.
Aluminium and copper wire,
360 x 334 cm.
Photo: Nathan Murrell
EL ANATSUI at Entangled Pasts, 1778–now: Art Colonialism and Change
3 February – 28 April, 2024
Royal Academy of Arts, London
Entangled Pasts, 1778–now: Art Colonialism and Change, brings together over 100 major contemporary and historic artworks as part of a conversation about art and its role in shaping narratives around empire, enslavement, resistance, abolition and colonialism.

Organised into three thematic sections that intertwine narratives across time and engage over 50 artists connected to the institution, the exhibition will include El Anatsui’s installation Akua's Surviving Children from 1996. This powerful piece represents a clan of survivors from the Danish slave trade, which operated between Ghana, formerly the Gold Coast, and the Danish West Indies.
El Anatsui, Akua's Surviving Children, 2020.
Found wood and metal,
height 165 cm, variable dimensions.
AUBREY WILLIAMS: COSMOLOGICAL ABSTRACTIONS, 1973–85 at TATE BRITAIN
23 May 2023 – 2 June 2024
Tate Britain has dedicated a room to the work of Aubrey Williams, a significant aspect in the institution’s 2023 complete rehang of the world’s greatest collection of British art for the first time in 10 years.

Titled Aubrey Williams: Cosmological Abstractions, 1973–85, the display consists of paintings created in the 1970s and the 1980s, and explores Williams' involvement with ecology, cosmology, music and pre-colonial civilisations.

Visitors can now discover the galleries laid out chronologically, from the 1500s to the present day, with the relationship between British art and the wider world being a major theme throughout. Each solo exhibition room, devoted to major historic figures such as William Blake and John Constable amongst others.
Installion view of Aubrey Williams: Cosmological Abstractions, 1973–85 at Tate Britain.
Photo: Tate (Madeleine Buddo)

 

VISTING OCTOBER GALLERY

Bloomsbury, London

October Gallery has been instrumental in bringing to worldwide attention many of the world’s leading international artists, including El Anatsui, Rachid Koraïchi, Romuald Hazoumè, Nnenna Okore, Laila Shawa and Kenji Yoshida. The Gallery promotes the Transvangarde, the very best in contemporary art from around the planet, as well as maintaining a cultural hub in central London for poets, writers, intellectuals and artists, and hosts talks, performances and seminars, see www.octobergallery.co.uk/events

The rich diversity of art presented is an inspiration to collectors and enthusiasts. Institutions such as the British Museum, London; the Metropolitan Museum of Art, New York; Centre Pompidou, Paris; Museum Kunstpalast, Düsseldorf, Germany; Neue Galerie, Kassel, Germany; Setagagya Art Museum, Tokyo, Japan have all collected works from October Gallery.

Founded in 1979, October Gallery is a charitable trust which is supported by sales of art, rental of the Gallery's unique facilities, grants from various funding bodies and the active support of dedicated artists, musicians, writers and many friends from around the world. The Gallery’s Education Department is inclusive of all ages from under 5’s to PGCE student and delivers a wide range of provision, see www.octobergalleryeducation.com

October Gallery is open from 12:30 to 17:30 pm, Tuesday to Saturday.
The Gallery is closed during official holidays and the entire month of August.



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